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Erika Balsom

    Erika Balsom ist Autorin des Buches Exhibition Cinema in Contemporary Art und Dozentin für Filmwissenschaft und Freie Künste am King's College London. Ihre Arbeit konzentriert sich hauptsächlich auf die Schnittstelle von zeitgenössischer Kunst und Film. Sie untersucht, wie diese beiden Bereiche in der modernen Ära miteinander verbunden sind.

    Feminist Worldmaking and the Moving Image
    After Uniqueness
    Cindy Sherman
    • The Phaidon Focus series presents engaging, up–to–date introductions to art’s modern masters. Compact, affordable, and beautifully produced, the books in this growing series are written by top experts in their field. Each features a complete chronological survey of an artist’s life and career, interspersed throughout with one–page "Focus" essays examining specific bodies of work. In Cindy Sherman, author Paul Moorhouse, Curator of Twentieth Century Portraits at the National Portrait Gallery, London, explores the groundbreaking artist’s use of portraiture to raise challenging and important questions about the construction of contemporary identity and the nature of representation. Moorhouse introduces some of Sherman’s most important works, including her seminal 1970s series "Untitled Film Stills,", her progression into color photography with the 1980s series "Centerfolds", and her recent large–scale photographic murals.

      Cindy Sherman
    • After Uniqueness

      • 312 Seiten
      • 11 Lesestunden

      A historical-conceptual perspective on the concept of the political

      After Uniqueness
    • "This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it

      Feminist Worldmaking and the Moving Image