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David Grubbs

    David Grubbs ist ein gefeierter Musiker und Pädagoge, dessen künstlerische Praxis die Grenzen des Genres sprengt. Seine Musik, die sich durch experimentellen Ansatz und neuartige Klanglandschaften auszeichnet, wurzelt in einem tiefen Verständnis von Musikgeschichte und gegenwärtigen Strömungen. Grubbs' pädagogische Erfahrung und seine interdisziplinäre Arbeit, einschließlich Kooperationen mit renommierten Schriftstellern und bildenden Künstlern, bereichern seine einzigartige Kunstauffassung. Seine Texte für führende Kunstpublikationen belegen zudem seine Fähigkeit, die zeitgenössische Kunstszene kritisch zu reflektieren und mitzugestalten.

    Now that the audience is assembled
    Good night the pleasure was ours
    Records Ruin the Landscape
    The Voice in the Headphones
    • 2022

      Good night the pleasure was ours

      • 170 Seiten
      • 6 Lesestunden

      Exploring the unique experiences of touring musicians, this book-length poem captures the essence of three decades in the music scene. David Grubbs reflects on diverse performances, from punk bands to digital collaborations, illustrating the daily challenges and transformations faced by artists. Each gig, regardless of audience reaction, becomes a lesson in the art of music-making. Through this journey, Grubbs emphasizes the profound, irreversible nature of creating music, celebrating the passion that drives artists to perform night after night.

      Good night the pleasure was ours
    • 2020

      The Voice in the Headphones

      • 160 Seiten
      • 6 Lesestunden
      5,0(1)Abgeben

      In his new book-length prose poem, David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session.

      The Voice in the Headphones
    • 2018

      Now that the audience is assembled

      • 152 Seiten
      • 6 Lesestunden

      David Grubbs explores the ephemeral nature of improvised music in Now that the audience is assembled, a prose poem that in its depiction of a fictional musical performance challenges common understandings of how and where music is composed, performed, and experienced.

      Now that the audience is assembled
    • 2014

      Records Ruin the Landscape

      • 220 Seiten
      • 8 Lesestunden
      3,7(14)Abgeben

      John Cage's disdain for records was legendary. It was shared by other experimental and avant-garde musicians in the 1960s. Scholar and longtime musician David Grubbs explores the present-day musical landscape, as listeners encounter experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings.

      Records Ruin the Landscape