Paul Watt Bücher

This book brings together a body of new research which looks both backwards and forwards to consider how far the London 2012 Olympic legacy has been delivered and how far it has been a hollow promise. Cohen and Watt consider the lessons that can be learnt from the London experience and aptly apply them other host cities, specifically Rio 2016 and Tokyo 2020. The Olympics are often described as a ‘mega-event’ in a way that assumes the host cities have no other existence outside, before or beyond the contexts imposed by the Games themselves. In terms of regeneration, the London 2012 Olympics promised to trigger a mega-regeneration project that was different to what had come before. This time the mistakes of other large-scale projects like London Docklands and Canary Wharf would be put right: top-down planning would be replaced by civic participation, communication and ‘the local’. This edited collection questions how far the 2012 London legacy really is different. In so doing, it brings fresh evidence, original insights and new perspectives to bear on the post-Olympics debate. A detailed and well-researched study, this book will be of great interest to scholars of urban geography, sociology, urban planning, and sports studies.

Through original interviews with residents of London estates, the author offers an insightful exploration of estate regeneration and its effects on marginalized communities. The narrative highlights personal experiences and perspectives, revealing the profound consequences of regeneration and gentrification on socio-spatial inequality, emphasizing the struggles faced by these communities amid urban transformation.

Ernest Newman's extensive career as a musical critic and writer is explored in this comprehensive analysis of his major publications, particularly focusing on his renowned Life of Richard Wagner. The book contextualizes Newman's work within the intellectual trends of his time, covering a broad spectrum of topics including literature, music, and biography. It highlights his commitment to rationalism and historical method, showcasing how his writings reflect the late nineteenth-century paradigms that shaped his unique and often controversial perspective in music criticism.

Exploring the connections between music, moral instruction, and social reform, this pioneering work uncovers how musical practices have influenced societal change and ethical development. It examines the role of music as a tool for education and advocacy, highlighting its significance in promoting social justice and moral values throughout history. The book offers a compelling analysis of music's power to inspire and effect change in communities.