By translating the sections on pre-Islamic Persia in three Muslim Arabic chronicles how knowledge about ancient Iran was transmitted to Muslim historians, in what forms it circulated and how it was shaped and refashioned for the new Perso-Muslim elite that served the early Abbasid caliphs in Baghdad.
This is a new edition of Volume Three of the four volume collection of documents on Nazism 1919-1945, with substantial revisions to three chapters and the inclusion of many new documents, an index and a revised bibliography.
A valuable basic student edition illustrating the variety of subjects and narrative modes that engaged medieval storytellers and their audiences. The verse is made accessible by glossing on the page as well as by end glossary and each romance is prefaced with an introduction to its literary history and provenance.
Published here for the first time, Maura Laverty's plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation - reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty's plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin's Gaiety and Gate Theatres and on tour. Laverty's trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors' introduction contextualises Laverty's work and considers the theatrical values of the plays.
This book accompanies the first exhibition entirely of Jamaican art to take place in the north-west of the UK. The exhibition, Jamaica Making: The Theresa Roberts Art Collection, is sited at the Victoria Gallery and Museum, Liverpool in 2022, and is a comprehensive presentation of the best of Jamaican art since the 1960s.
This volume sheds light on how to construe the contemporary political vicissitudes of the Black experience and the ongoing struggle for agency, belonging, and civil rights. It offers a fresh look at familiar concepts such as activism and belonging and models innovative approaches for studying the African diasporic experience in the 21st century.
Internationally renowned academics look at memories of slavery in the Francophone world, reflecting upon contemporary commemorative practices that relate to the history of slavery and the slave trade, and questioning how they function in relationship to other, less memorialized histories of exploitation, such as indentured and forced labour.
This volume is the first sustained attempt to provide an overview of the First World Festival of Negro Arts, held in Dakar in 1966, and of its multiple legacies.
An important collection which explores the complex interrelationships between race, gender, and sex as these are conceptualised within contemporary thought.
The mummy of Takabuti is one of the best known antiquities in the Ulster Museum, Belfast. Modern scientific investigations have revealed new evidence about her ancestry, lifestyle, illnesses, and murder. This multi-authored book demonstrates how researchers act as 'forensic detectives' piecing together a picture of the life and times of Takabuti.