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Carol Margaret Davison

    Carol Margaret Davison ist eine anerkannte Literaturwissenschaftlerin, deren Werk sich mit den reichen Gebieten des Schreibens von Frauen, der Gothic-, viktorianischen und postkolonialen Literatur befasst. Ihre Expertise erstreckt sich über verschiedene literarische Traditionen, wobei sie deren komplexe Nuancen und historischen Kontexte mit scharfer Einsicht untersucht. Davison bringt ein tiefes Verständnis für die Verbindungen zwischen literarischen Werken und breiteren kulturellen Strömungen mit. Ihre akademische Arbeit wird für ihre aufschlussreichen Analysen und ihre Fähigkeit geschätzt, oft übersehene Aspekte der Literaturgeschichte zu beleuchten.

    Bodysnatcher
    Global Frankenstein
    • 2023

      Bodysnatcher provides new insight into the infamous story of Burke and Hare, who committed murders that shook 19th century Edinburgh. Told from the points of view of Burke and his partner Nelly, the darkly Gothic narrative exposes the psyche of a killer while also giving voice to the woman who endured his horrors.

      Bodysnatcher
    • 2018

      Global Frankenstein

      • 370 Seiten
      • 13 Lesestunden
      3,5(2)Abgeben

      Consisting of sixteen original essays by experts in the field, including leading and lesser-known international scholars, Global Frankenstein considers the tremendous adaptability and rich afterlives of Mary Shelley’s iconic novel, Frankenstein, at its bicentenary, in such fields and disciplines as digital technology, film, theatre, dance, medicine, book illustration, science fiction, comic books, science, and performance art. This ground-breaking, celebratory volume, edited by two established Gothic Studies scholars, reassesses Frankenstein’s global impact for the twenty-first century across a myriad of cultures and nations, from Japan, Mexico, and Turkey, to Britain, Iraq, Europe, and North America. Offering compelling critical dissections of reincarnations of Frankenstein, a generically hybrid novel described by its early reviewers as a “bold,” “bizarre,” and “impious” production by a writer “with no common powers of mind”, this collection interrogates its sustained relevance over two centuries during which it has engaged with such issues as mortality, global capitalism, gender, race, embodiment, neoliberalism, disability, technology, and the role of science.

      Global Frankenstein