Clive Cazeaux explores the significant role of metaphor in shaping our understanding of the world, linking it to art and science through modern European philosophy. He examines the works of Kant, Heidegger, and Merleau-Ponty, and discusses the cognitive potential of metaphor in relation to aesthetics, epistemology, and the philosophy of science.
Exploring the intersection of art and research, this book delves into philosophical questions surrounding artistic practices as a means of knowledge construction. It challenges readers to consider whether art should borrow research methods from other disciplines or forge its own path. By addressing debates in aesthetics, epistemology, and visual culture, it offers fresh perspectives for those engaged in visual arts research, making it a valuable resource for art research students seeking to deepen their understanding of their field.