Edward Hall Bücher

Exploring the tension between idealism and realism in political philosophy, the book examines whether the discipline should envision an ideal society or address the complexities of a world filled with moral disagreements. It highlights the contributions of notable thinkers like Bernard Williams, Stuart Hampshire, and Isaiah Berlin, advocating for a political realism that focuses on coexistence amidst diverse values. Edward Hall develops a contemporary framework for understanding politics in the 21st century, emphasizing practical approaches to living together despite fundamental disagreements.

This edition of Richard III features seven scenes, opening with the Duke of Gloucester’s villainous “Winter of our discontent” speech and followed by his audacious wooing of Lady Anne. Queen Margaret’s chilling curses, Richard’s string of murders, and the haunting chants of his victims’ ghosts are stage drama at its best. The climax is a gripping battle in which the Earl of Richmond slays Richard and becomes King of England. There is also an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library’s annual Student Shakespeare Festival. The edition includes a preface by Nick Newlin, containing helpful advice on presenting Shakespeare in a high school setting with novice actors, as well as an appendix with play-specific suggestions and recommendations for further resources.

Two sets of twins are separated at birth by a storm at sea: a pair of masters (both named Antipholus) and a pair of servants (both named Dromio). Years later, the Antipholus-and-Dromio pair raised in Syracuse happen to visit Ephesus, where the respective twins reside—providing the basis for ongoing incidents of mistaken identity, within a lively plot of quarrels, arrests, and a grand courtroom denouement. Based on a pair of comic dramas from ancient Rome, The Comedy of Errors presents a spectacle of pure farce in the spirit of utmost fun and—as the title suggests—hilarious confusion. One of Shakespeare's earliest dramatic efforts, the play abounds in his trademark conceits, puns, and other forms of fanciful wordplay. It also foreshadows his later and greatest comedies, offering students and scholars a valuable key to the playwright's development.