Martin Henig Bücher

Exploring British life from the 1st Century under Roman rule, this book offers a captivating look at the cultural, social, and political changes that shaped the region. It delves into the interactions between the Romans and the indigenous tribes, highlighting the impact of Roman governance, military presence, and trade on local customs and daily life. Through vivid descriptions and historical insights, readers gain a deeper understanding of how this period influenced the development of Britain.

Heinrich Wolfflin was a pioneering critic who introduced new and rigorous methods of formal analysis into the study of art. Classic Art, first published in 1899, is itself a classic that has exercised a profound influence on the way people have looked at and thought about art. As an appraisal of the great artists of the Renaissance it can hardly be surpassed. Once again available in its elegant original format, it is an indispensable addition to every library of art books.

Focusing on Roman engraved gemstones, this comprehensive study catalogs over 1000 examples from the British Isles, originally published in 1978. In the third edition, the author reflects on the integration of glyptics with other art forms and emphasizes the growing interest in provincial gems. He encourages new generations to reassess the evidence using modern techniques and scientific analysis, highlighting the importance of fresh perspectives in art history. The work aims to elevate the status of gems within the broader context of Roman art.

Apart from Christianity and the Oriental Cults, religion in Roman Britain is often discussed as though it remained basically Celtic in belief and practice, under a thin veneer of Roman influence. Using a wide range of archaeological evidence, Dr Henig shows that the Roman element in religion was of much greater significance and that the natural Roman veneration for the gods found meaningful expression even in the formal rituals practised in the public temples of Britain.