Abbas Kiarostami Reihenfolge der Bücher (Chronologisch)

Focusing on the rich tradition of Persian poetry, this collection features English translations of works by renowned poets Nima, Hafez, Saadi, and Rumi, along with Abbas Kiarostami's thematic anthology, Night. The compilation also includes Kiarostami's original verses from his earlier volumes. This comprehensive anthology highlights the director's deep appreciation for poetry and its cultural significance, showcasing both classical and contemporary voices in a single, accessible format.

The collection features original poetry by renowned Iranian filmmaker Abbas Kiarostami, showcasing his unique voice and artistic vision. Translated by Iman Tavassoly and Paul Cronin, the poems reflect themes of beauty, existence, and the human experience, offering readers a glimpse into Kiarostami's profound thoughts and emotions. The collaboration between the translators and Kiarostami enriches the text, making it accessible to a wider audience while preserving the essence of the original work.

Original poetry showcases the artistic vision of Iranian filmmaker Abbas Kiarostami, reflecting his unique perspective on life and art. The collection captures profound emotions and thoughts, offering readers a glimpse into Kiarostami's creative mind. Translated by Iman Tavassoly and Paul Cronin, the poems maintain the essence of Kiarostami's voice while making them accessible to a wider audience. This work invites readers to explore the intersection of film and poetry through the lens of a celebrated artist.

The brochure offers an in-depth exploration of the works and influence of acclaimed Iranian filmmaker Abbas Kiarostami. It highlights his innovative storytelling techniques, aesthetic choices, and the philosophical themes present in his films. The document also provides insights into his impact on cinema, as well as his contributions to art and literature, showcasing his unique ability to blend reality with fiction. Through a detailed analysis, readers gain a greater appreciation for Kiarostami's legacy and the cultural context of his work.

Abbas Kiarostami, renowned Iranian film director, has dedicated the past twenty years to mentoring emerging filmmakers at festivals and campuses. His hands-on approach involves guiding them through the filmmaking process, from project development to hands-on shooting, followed by screenings and discussions of their work. This engagement not only showcases his commitment to nurturing new talent but also reflects his influence on the next generation of filmmakers.

The collection features original poetry by renowned Iranian filmmaker Abbas Kiarostami, showcasing his unique voice and artistic vision. Translated by Iman Tavassoly and Paul Cronin, this work offers readers an intimate glimpse into Kiarostami's reflections on life, art, and the human experience, blending cinematic sensibilities with poetic expression. The translations aim to preserve the essence of Kiarostami's writing, making his profound insights accessible to a wider audience.

Is psychoanalysis possible in the Islamic Republic of Iran? This question drives Gohar Homayounpour's memoir of displacement, nostalgia, love, and pain. After twenty years abroad, the Iranian, Western-trained psychoanalyst returns to Tehran to establish her practice. When an American colleague doubts Iranians can free-associate, Homayounpour asserts that they do nothing but, as their culture is steeped in storytelling. This sets the stage for a rich narrative that mirrors a psychoanalytic session. Homayounpour shares the complexities of returning to her homeland, her admiration for Milan Kundera's work, and her intricate relationship with her father, who translated Kundera into Persian. She also explores the anxieties of influence and disobedience among Iranians. Interwoven are candid glimpses of her sometimes challenging sessions with patients: Ms. N, a renowned artist, grapples with abandonment; a young woman in a chador feels shame after losing her virginity; and a suicidal young man struggles with his desire to live. As a psychoanalyst, Homayounpour recognizes that each story shared often conceals another untold narrative. Through her work, she connects the spoken and unspoken experiences of ordinary Iranians, revealing the depth of their lives in the limited time of each session.

Par un jour orageux de 2007, Abbas Kiarostami décide de s'échapper de Téhéran : " J'ai fait mon sac, sans oublier mon appareil photo et ma caméra numérique. La pluie tombe depuis hier soir, ponctuée d'éclairs, mais ce n'est pas ce qui va me faire changer d'avis, bien au contraire. " A l'abri dans l'habitacle de sa voiture, le cinéaste iranien prend à la volée des photos du paysage urbain et de la campagne. Cette série donne à voir, à travers le ruissellement de la pluie sur le pare-brise, des hautes silhouettes d'arbres dégoulinants, l'éclat tremblé des phares des voitures, ou encore, au bord de la route, un pan de mur jaune. Des images en couleurs, mais où dominent les gris et les noirs, et qui sont autant de tableaux. Cinéaste, photographe et poète, Abbas Kiarostami est né le 22 juin 1940 à Téhéran, Il est reconnu, depuis le début des années 1990, comme l'une des grandes figures du cinéma contemporain. Palme d'Or à Cannes en 1997 pour Le Goût de la cerise, il a reçu deux ans plus tard le Grand Prix spécial du jury à la Mostra de Venise pour Le vent nous emportera. Ses photographies ont été exposées dans le monde entier, notamment à Londres, au Victoria & Albert Museum et à New York, au MoMa, ou encore, en 2007-2008, au Centre Pompidou à Paris et dans cinq métropoles chinoises.

In this groundbreaking anthology, Lila Azam Zanganeh explores the complexities of Iran, challenging the simplistic narratives that dominate American perceptions. Contributors like Azar Nafisi and Marjane Satrapi present a multifaceted view of a nation often misrepresented as either a member of the "axis of evil" or a place of youthful rebellion. This collection aims to dismantle cultural and political clichés, featuring diverse topics such as feminism, sexuality, and political dissent under the Islamic Republic. Reza Aslan clarifies that Iran is better described as a "mullahcracy" than a theocracy, while Mehrangiz Kar discusses how the Iranian Revolution sparked a feminist movement. Azadeh Moaveni uncovers Tehran's underground parties and sexual culture, and Gelareh Asayesh addresses the racial identity of Iranians in America. Naghmeh Zarbafian reflects on the experience of reading censored literature, and Roya Hakakian reminisces about the joyful past of Iranian Jews. With a compelling introduction by Zanganeh, this collection seeks to reshape understanding of Iran, revealing the intricate realities of its society—caught between political Islam, modern media, and stark social inequalities.