M. R. Hall Bücher

Wie kann man die Toten ruhen lassen, wenn das Unrecht zum Himmel schreit. Jenny Cooper hat gerade erst ihre Stelle als neue Coronerin in Bristol angetreten, da gibt es auch schon Probleme: Ihr überraschend verstorbener Vorgänger hat die Dinge offenbar etwas schleifen lassen, und Jenny sieht sich gezwungen, den angeblichen Selbstmord eines Vierzehnjährigen und den Tod einer Jugendlichen neu zu untersuchen. Dabei stößt sie auf massiven Widerstand, den sie sich zunächst nicht recht erklären kann. Bis sie einer ungeheuerlichen Geschichte auf die Spur kommt. Der Start einer brillanten Krimiserie.

Er war ihr einziger Sohn – und er war der Regierung im Weg. Jenny Cooper hat eigentlich genug mit ihren eigenen Dämonen zu kämpfen, doch einer verzweifelten Mutter kann sie ihre Bitte nicht abschlagen. Vor sieben Jahren verschwanden in Großbritannien zwei muslimische Studenten. Die Polizei erklärte damals den fassungslosen Eltern, dass die beiden Jungen wegen ihrer Nähe zur islamistischen Bewegung unter der Beobachtung des Geheimdienstes standen und vermutlich aufgebrochen seien, um sich in einem Terrorcamp ausbilden zu lassen. Doch Jenny Coopers Untersuchung des Falls fördert ungeliebte Wahrheiten und ein undenkbares Verbrechen zu Tage …

In the icy, languid days following Christmas, a dense fog has settled over the Wye Valley. Local Coroner Jenny Cooper, still reeling after being abandoned by her partner for the festivities, is called to the scene of a dreadful tragedy: a house has been burned to the ground, revealing its terrible secrets. Before the fire began, a man - Ed Morgan - shot his two stepdaughters dead, before turning the gun on himself. His infant son is still missing . . . Jenny Cooper investigates. Ed's partner Kelly Hart was spared by the tragedy but has been left shattered by the loss of her children and the man she loved. The only clue to Ed's dark motives remains a jealous note left on his facebook page. As Jenny delves further into Ed and Kelly's life, something nags her about that fateful evening. What role did Ed's employer, the slaughterhouse at Fairmeadow's Farm, play in the sequence of events? And what could the connection be with the mysterious unsolved abduction of a little girl in the village ten years ago?

Exploring the significance of plants in various cultural mythologies, this book delves into the botanical beliefs and practices from Aboriginal Australia to Zoroastrian Persia. It highlights how different societies have intertwined their understanding of flora with spiritual and mythological narratives, revealing the profound connections between nature and human belief systems across diverse historical contexts.

Hailed as a crucial study of J.H. Prynnes poetry, Violence in the Work of J.H. Prynne provides an accessible and comprehensive analysis of one of the worlds leading figures of contemporary poetry. This indispensable resource analyses the nexus between Prynnes evolving political thought and his linguistic innovation over a period of three decades. Never hesitant before the difficulty of Prynnes poetry, Hall provides an acute and skilfully articulated argument which illuminates the complexity of Prynnes most challenging volumes. In reinventing the methodologies by which contemporary poetry can be read, Hall synthesizes earlier critical work, providing a crucial pathway into Prynnes workfull of new insights, new inventions, and new critical understandings.

The world is left reeling when Ransome Airways Flight 189 to New York inexplicably falls from the sky, crashing into the Bristol estuary. Of the 600 passengers on the plane, there are no survivors. A massive operation commences to recover the bodies and clues from the wreckage, under the watchful eye of the Ministry of Justice and other government agencies. Meanwhile coroner Jenny Cooper finds herself responsible for the remains of a fisherman, whose boat appears to have been struck by the wreckage; and drawn into the strange fate of a little girl - Amy Patterson - a passenger from the plane whose largely unmarked body was mysteriously discovered lying beside him. Under pressure from Amy Patterson's grieving mother and opposed by those at the very highest levels of government, Jenny must race against time to seek the truth behind this terrible disaster, before it can happen again.

New action-packed thriller from Keeping Faith screenwriter Matthew Hall. Major Leo Black was once one of the SAS's most fearsome and effective warriors and after twenty years of war, is now striving to be a force for peace. A junior tutor without tenure at Oxford University, his lectures on the ethics of conflict are an inspiration to his students but a threat to colleagues wary of admitting him to their gilded circle. When his oldest friend and comrade is brutally murdered as a part of a dark international conspiracy, Black's new-found principles are put to the ultimate test. There's a violent job to be done and he's the man called upon to do it- the unrivalled expert in the art of killing.

The body of a dead man is discovered in an overgrown cemetery in Bristol, the sign of the cross gouged into his flesh. At first it seems to coroner Jenny Cooper that all the evidence points to a horrific, if routine, suicide. Then an enigmatic young priest, Father Lucas Starr, arrives on Jenny's doorstep, entreating her to hold an inquest into the death of Eva Donaldson, a high profile political campaigner whose past life continued to haunt her. A young man, Paul Craven, has recently been sentenced for Eva's brutal murder. But despite Craven's conviction and the evidence against him, Father Lucas is convinced of the man's innocence. Jenny's lone quest for justice will take her to the dark heart of an establishment who wish to silence her, and on an inner journey to confront ghosts that have haunted her for a lifetime. For Jenny Cooper answers to no one but the dead...