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Jeff L. Rosenheim

    Metropolitan Museum of Art Series: Many Are Called
    Bernd & Hilla Becher
    Irving Penn
    • Irving Penn

      Centennial

      • 371 Seiten
      • 13 Lesestunden

      "Celebrating the centennial of Irving Penn's birth, this volume spans the entirety of his groundbreaking career. The introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. The essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits; fashion; female nudes; people of Peru, Dahomey (Benin), New Guinea, and Morocco; still lifes; and more"--Provided by publisher.

      Irving Penn
      4,6
    • Bernd & Hilla Becher

      • 282 Seiten
      • 10 Lesestunden

      The first comprehensive, posthumous retrospective on Bernd and Hilla Becher, best known for their photographs of industrial structures in Europe and North America

      Bernd & Hilla Becher
      4,5
    • Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans.Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.

      Metropolitan Museum of Art Series: Many Are Called