Iain Hampsher-Monk Bücher

Iain Hampsher-Monk’s lucid and accessible history of modern political thought is the introduction which many have been waiting for, providing a thorough guide to the ideas and writings of major political thinkers from Hobbes to Marx (including a full account of The Federalist papers).The author’s aim throughout is to incorporate the benefits of modern scholarship of the historical school, with its emphasis on historical and political circumstances as a key to meaning. Recognizing that for most students time will not allow detailed study of the historical and political contexts of particular works, Hampsher-Monk provides here the background necessary for the reader to situate the writings of key thinkers in relation to wider currents in intellectual and political history.A History of Modern Political Thought will meet the needs of both general readers and students of political theory and philosophy. It is an indispensable secondary source which aims to situate, explain, and provoke thought about the major works of political theory likely to be encountered by students of modern political thought.

Although vastly influential in German-speaking Europe, conceptual history (Begriffsgeschichte) has until now received little attention in English. This genre of intellectual history differs from both the French history of mentalités and the Anglophone history of discourses by positing the concept - the key occupier of significant syntactical space - as the object of historical investigation.Contributions by distinguished practitioners and critics of conceptual history from Europe and America illustrate both the distinctiveness and diversity of the genre.The first part of the book is devoted to the origins and identity of the field, as well as methodological issues. Part two presents exemplary studies focusing either on a particular concept (such as Maurizio Viroli's 'Reason of the State') or a particular approach to conceptual history (e.g. Bernard Scholz for literary criticism and Terence Ball for political science). The final, most innovative section of the book looks at concepts and art - high, bourgeois and demotic. Here Bram Kempers discusses the conceptual history of Raphael's frescos in the Stanza della Segnatura of the Vatican; Eddy de Jongh examines the linguistic character of much Dutch genre painting; and Rolf Reichardt considers the conceptual structure implicit in card games of the French Revolution, used to induct those on the margins of literacy into the new revolutionary world-view.