Brian Vickers Bücher

Dieser Überblick über Geschichte und System der antiken Rhetorik rückt das praktische Ziel der Beredsamkeit in den Mittelpunkt: die Überzeugung durch Beeinflussung der Gefühle. Die grundlegenden Konzepte der antiken Rhetorik, verstanden als Systematisierung natürlicher Beredsamkeit, erscheinen vor ihrem geschichtlichen Hintergrund, unter häufigem Rückgriff auf die wichtigsten Texte der Antike und Renaissance. Der Figurenlehre kommt eine zentrale Rolle beim Erzeugen einer bestimmten Wirkung zu. Dies erweist sich auch bei einem Blick auf ausgewählte Texte der Literatur der bedeutendsten europäischen Sprachen von der Renaissance bis zur Gegenwart. Beispiele für die Anwendung der wichtigsten Tropen und Figuren bei Ariosto, Shakespeare, Goethe, Victor Hugo und Mario Vargas Llosa illustrieren den lebendigen, genre- und epochenübergreifenden Einfluss der Rhetorik auf die literarische Praxis und unterstreichen die Bedeutung eines Studiums des rhetorischen Systems und seiner Wirkungsweisen.

The book delves into the authorship of two poems, providing a critical analysis that ultimately concludes neither can be attributed to Shakespeare. Vickers presents evidence and arguments that challenge traditional beliefs, offering readers insights into the complexities of literary attribution and the implications for understanding Shakespeare's body of work.

Originally published in 1968 and revised in 1979, this book offers an updated perspective on its themes and content. The re-issue provides readers with a fresh look at the ideas presented, reflecting changes in thought and context since the original publication. This edition is ideal for both new readers and those revisiting the work, showcasing its enduring relevance and insights.

The collection features a diverse array of English Renaissance literary criticism, showcasing both famous works, like Sir Philip Sidney's complete "Apology for Poetry," and lesser-known texts, such as Dudley North's insights on Metaphysical poetry. Notably, it also includes John Ford's elegy on John Fletcher, presented here for the first time. This anthology serves as a significant resource for understanding the critical landscape of the Renaissance period.

Thoughtful readers interested in the evolution of language will find this book particularly engaging. It delves into the history and development of the English language, offering insights into its transformation over time. The narrative explores linguistic changes, cultural influences, and the significance of language in shaping identity and communication.

Focusing on Shakespeare's collaborations, this study evaluates claims regarding his co-authorship of several plays, including Titus Andronicus and Henry VIII. It explores the processes of collaboration and the evolution of authorship studies since the early 1800s. Brian Vickers highlights a consistent tradition in attributing works to Shakespeare, providing a detailed analysis that sheds light on his partnerships with other dramatists.

Conclusion: Toward a New Consensus -- Appendix 1: Illustrations and Commentary -- Appendix 2: Space Saving in Q1 King Lear -- Notes -- Index

Exploring the biblical theology of justification, this work addresses the challenges faced by the doctrine of alien, imputed righteousness. It reveals how Scripture illustrates God's provision for sinners to attain righteousness through Christ. The book offers guidance for those grappling with issues like legalism, lawlessness, pride, or despair, emphasizing that a proper understanding of justification redirects focus from self to the complete acceptance found in God through Christ.

Focusing on the interplay between form and meaning, this collection explores the evolution of Shakespeare's plays and their reception over time. Originally published in 1989, it showcases Brian Vickers' significant contributions to Shakespeare criticism, offering revised and expanded insights from his work over the preceding fifteen years.