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Robert Motherwell

    24. Januar 1915 – 16. Juli 1991
    Robert Motherwell - oder wie das Alltägliche zur Kunst wird
    The De-Definition of Art
    Onnasch Collection
    The Writings of Robert Motherwell
    Reconciliation Elegy
    Motherwell
    • Reconciliation Elegy

      • 87 Seiten
      • 4 Lesestunden

      "This photographic journal records the collaboration of Robert Motherwell and his studio assistants in the creation of the artist's monumental painting Reconciliation Elegy, a commission for the East Building, National Gallery of Art, Washington, D.C."--Back cover

      Reconciliation Elegy
      4,9
    • The Writings of Robert Motherwell

      • 397 Seiten
      • 14 Lesestunden

      Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. This book presents the artist's writings about art includes public lectures, essays, and interviews. It features an informative introductory essay, rigorous annotation, and illustrations.

      The Writings of Robert Motherwell
      4,5
    • Onnasch Collection

      • 208 Seiten
      • 8 Lesestunden

      Some of the most representative tendencies of the second half of the 20th century are represented in the private collection of German Reinhard Onnasch, which features work by Hans Hofmann, Robert Motherwell, Morris Louis, Barnett Newman, Cy Twombly, Robert Rauschenberg, Claes Oldenburg, Andy Warhol, Edward Kienholz, Dan Flavin, Hans Haacke, Robert Smithson, Mike Kelley, Dan Graham, Lawrence Weiner, Jason Rhoades, and others.Essays by Boris Groys, Petra Kipphoff. Artworks by Dan Flavin, Dan Graham, Hans Haacke, Hans Hofmann, Mike Kelley, Edward Kienholz, Morris Louis, Robert Motherwell, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Robert Smithson, Cy Twombly, Andy Warhol, Lawrence Weiner. 8.75 x 10.5 in.110 color illustrationsEnglish/Portuguese

      Onnasch Collection
      5,0
    • The De-Definition of Art

      • 256 Seiten
      • 9 Lesestunden

      "Like the great German critic Walter Benjamin, Rosenberg is a master of dialectics whose sense of art is continuous with his sense of society, and (also like Benjamin) bears no taint of compromised, out-of-work radicalism. Instead, his radicalism is very much at work, enabling him to spot and skewer fallacies, false logic and the camouflaged nudity that is a large part of the art emperor's new wardrobe. [The De-definition of Art] detects with great sensitivity the forces that are deflecting and pressuring art in the direction of esthetic and moral nullity."—Jack Kroll, Newsweek

      The De-Definition of Art
      3,8