The history of Schumann's Fantasie, Op. 17 is richly explored through letters to Clara Wieck and his publisher, alongside an analysis of surviving sketches. Nicholas Marston delves into intriguing questions about the work's dedication and the origins of its celebrated opening movement, providing a comprehensive understanding of this masterpiece in Romantic piano music.
The book delves into Heinrich Schenker's ambitious project to create an elucidatory edition of Beethoven's last five piano sonatas, particularly focusing on the 'Hammerklavier' Sonata, op. 106, which remained unpublished. Nicholas Marston provides a thorough historical analysis of the Erlÿuterungsausgabe, exploring the complexities and challenges faced by Schenker in his endeavor, as well as the broader implications for music scholarship and interpretation during that era.