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From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse "It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany--a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics. He is eager to finish a screenplay for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him--and within him.
Sprache
Buchkauf
You should have left, Daniel Kehlmann
- Sprache
- Erscheinungsdatum
- 2017
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- You should have left
- Sprache
- Englisch
- Autor*innen
- Daniel Kehlmann
- Verlag
- Pantheon Books
- Erscheinungsdatum
- 2017
- Einband
- Hardcover
- Seitenzahl
- 114
- ISBN10
- 110187192X
- ISBN13
- 9781101871928
- Reihe
- Schlagwörter
- Belletristik, Krimi & Thriller, Fantasy, Sci-Fi, Thriller, Gegenwartsliteratur, Familie, Kurzgeschichten, Horror, Spannung, Deutschland, Novellen, Ehe, Horror-Kurzgeschichten, Geister und Erscheinungen, Betrügereien
- Bewertung
- 3,55 von 5 Sternen
- Beschreibung
- From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse "It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany--a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics. He is eager to finish a screenplay for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him--and within him.