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Good Citizens Need Not Fear

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"A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's ingeniously intertwined narratives, nine stories which span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive. In 'Bone Music', an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen x-ray film. A delusional secret service agent in 'Letter of Apology' becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in 'Little Rabbit', a beauty-pageant crasher in 'Miss USSR', a sadist-for-hire to the Eastern bloc's newly minted oligarchs in 'Homecoming'."--Provided by publisher

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Good Citizens Need Not Fear, Maria Reva

Sprache
Erscheinungsdatum
2020
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(Paperback)
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Sprache
Englisch
Autor*innen
Maria Reva
Erscheinungsdatum
2020
Einband
Paperback
Seitenzahl
224
ISBN10
0349012695
ISBN13
9780349012698
Reihe
Bewertung
3,8 von 5 Sternen
Beschreibung
"A bureaucratic glitch omits an entire building, along with its residents, from municipal records. So begins Reva's ingeniously intertwined narratives, nine stories which span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive. In 'Bone Music', an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen x-ray film. A delusional secret service agent in 'Letter of Apology' becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in 'Little Rabbit', a beauty-pageant crasher in 'Miss USSR', a sadist-for-hire to the Eastern bloc's newly minted oligarchs in 'Homecoming'."--Provided by publisher