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This innovative novel by a Harlem Renaissance writer offers a groundbreaking portrayal of African American life in both the South and North. With a foreword by National Book Foundation 5 Under 35 honoree Zinzi Clemmons, the work is a significant contribution to American modernist literature, noted for its unique structure and style. First published in 1923, it unfolds through a series of vignettes that blend poetry, prose, and play-like dialogue, providing insight into the diverse experiences of African Americans during the era of Jim Crow laws and rampant racism. Despite its critical acclaim and status as a pioneering text of the Harlem Renaissance, it did not achieve the same popularity as other contemporary works. Langston Hughes suggested that its limited readership stemmed from its refusal to conform to prevailing stereotypes, instead offering a nuanced and humanized depiction of African Americans. This edition, the first from Penguin Classics, includes a new introduction, suggestions for further reading, and notes by scholar George Hutchinson, alongside Clemmons' foreword, enriching the reader's understanding of this essential literary work.
Buchkauf
Cane, Jean Toomer
- Sprache
- Erscheinungsdatum
- 2019
- product-detail.submit-box.info.binding
- (Paperback)
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- Titel
- Cane
- Sprache
- Englisch
- Autor*innen
- Jean Toomer
- Verlag
- Penguin LCC US
- Erscheinungsdatum
- 2019
- Einband
- Paperback
- Seitenzahl
- 224
- ISBN10
- 0143133675
- ISBN13
- 9780143133674
- Reihe
- Schlagwörter
- Belletristik, Poesie, Klassiker, Kurzgeschichten, Rasse, Rassismus, Afroamerikanische Literatur
- Bewertung
- 3,7 von 5 Sternen
- Beschreibung
- This innovative novel by a Harlem Renaissance writer offers a groundbreaking portrayal of African American life in both the South and North. With a foreword by National Book Foundation 5 Under 35 honoree Zinzi Clemmons, the work is a significant contribution to American modernist literature, noted for its unique structure and style. First published in 1923, it unfolds through a series of vignettes that blend poetry, prose, and play-like dialogue, providing insight into the diverse experiences of African Americans during the era of Jim Crow laws and rampant racism. Despite its critical acclaim and status as a pioneering text of the Harlem Renaissance, it did not achieve the same popularity as other contemporary works. Langston Hughes suggested that its limited readership stemmed from its refusal to conform to prevailing stereotypes, instead offering a nuanced and humanized depiction of African Americans. This edition, the first from Penguin Classics, includes a new introduction, suggestions for further reading, and notes by scholar George Hutchinson, alongside Clemmons' foreword, enriching the reader's understanding of this essential literary work.