Mehr zum Buch
Artists from Renée Green to Haim Steinbach explore themes of temporality and absurdity in the work of On Kawara This is the sixth volume in a series that builds upon Dia Art Foundation’s Artists on Artists lectures. The contributors to this book explore the practice of On Kawara (1932–2014) from various points of Alejandro Cesarco uses a self-reflexive approach to the ideas of artistic legacy, influence and work; Nancy Davenport contends with innocence and trauma in two of Kawara’s most influential series; Renée Green weaves a poetic relationship between the work of Chantal Akerman and Kawara; Annette Lawrence provides a close reading of the Today series and her own journals, grappling with what it means to keep time; Scott Lyall considers the experience and contingency of time, differentiating between thinking with and speaking about a work of art; Dave McKenzie stages a diaristic correspondence with Kawara; Bettina Pousttchi reflects on duration in art and the history of time keeping; and Haim Steinbach plays with Beckettian abstraction, absurdity and repetition.
Buchkauf
Artists on on Kawara, Autorenkollektiv
- Sprache
- Erscheinungsdatum
- 2022
- product-detail.submit-box.info.binding
- (Paperback)
Hier könnte deine Bewertung stehen.
- Titel
- Artists on on Kawara
- Sprache
- Englisch
- Autor*innen
- Autorenkollektiv
- Verlag
- Dia Art Foundation,U.S.
- Erscheinungsdatum
- 2022
- Einband
- Paperback
- Seitenzahl
- 248
- ISBN10
- 0944521932
- ISBN13
- 9780944521939
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Hobby
- Bewertung
- 4 von 5 Sternen
- Beschreibung
- Artists from Renée Green to Haim Steinbach explore themes of temporality and absurdity in the work of On Kawara This is the sixth volume in a series that builds upon Dia Art Foundation’s Artists on Artists lectures. The contributors to this book explore the practice of On Kawara (1932–2014) from various points of Alejandro Cesarco uses a self-reflexive approach to the ideas of artistic legacy, influence and work; Nancy Davenport contends with innocence and trauma in two of Kawara’s most influential series; Renée Green weaves a poetic relationship between the work of Chantal Akerman and Kawara; Annette Lawrence provides a close reading of the Today series and her own journals, grappling with what it means to keep time; Scott Lyall considers the experience and contingency of time, differentiating between thinking with and speaking about a work of art; Dave McKenzie stages a diaristic correspondence with Kawara; Bettina Pousttchi reflects on duration in art and the history of time keeping; and Haim Steinbach plays with Beckettian abstraction, absurdity and repetition.