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Primitive mythology

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The first volume in Joseph Campbell's monumental four-volume Masks of God series, originally published in 1959 and revised with up-to-date science and new illustrations in this Collected Works of Joseph Campbell paperback edition In this first volume of The Masks of God, the world's preeminent mythologist explores and illuminates the wellsprings of myth. Showing his exemplary combination of scholarly depth and popular enthusiasm, Joseph Campbell looks at the expressions of religious awe in early humans and their echoes in the rites of surviving primal tribes. Campbell shows how myth has informed our understanding of the world, seen and unseen, throughout time. As he explores and shares archetypal mythic images and practices, he also points to how these concepts inform our personal lives. Upon completing the Masks of God series, Campbell found that his work affirmed "the unity of the race of man, not only in its biology, but also in its spiritual history." He likened this unity to a symphony in which various parts create a "great movement." Perhaps more than ever before, Campbell's insight is not only illuminating but also inspiring.

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Primitive mythology, Joseph Campbell

Sprache
Erscheinungsdatum
1976
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Sprache
Englisch
Autor*innen
Joseph Campbell
Erscheinungsdatum
1976
Einband
Paperback
Seitenzahl
504
ISBN10
0140043047
ISBN13
9780140043044
Erstveröffentlichung
1959
Originaltitel
The Masks of God: Primitive Mythology
Bewertung
4,3 von 5 Sternen
Beschreibung
The first volume in Joseph Campbell's monumental four-volume Masks of God series, originally published in 1959 and revised with up-to-date science and new illustrations in this Collected Works of Joseph Campbell paperback edition In this first volume of The Masks of God, the world's preeminent mythologist explores and illuminates the wellsprings of myth. Showing his exemplary combination of scholarly depth and popular enthusiasm, Joseph Campbell looks at the expressions of religious awe in early humans and their echoes in the rites of surviving primal tribes. Campbell shows how myth has informed our understanding of the world, seen and unseen, throughout time. As he explores and shares archetypal mythic images and practices, he also points to how these concepts inform our personal lives. Upon completing the Masks of God series, Campbell found that his work affirmed "the unity of the race of man, not only in its biology, but also in its spiritual history." He likened this unity to a symphony in which various parts create a "great movement." Perhaps more than ever before, Campbell's insight is not only illuminating but also inspiring.