Gratis Versand ab 16,99 €. Mehr Infos.
Bookbot

Ludwig Wittgenstein. Fotografie als analytische Praxis

Autor*innen

Parameter

  • 304 Seiten
  • 11 Lesestunden

Mehr zum Buch

The first ever examination of Wittgenstein as collector, author and arranger of photographsMore than any other modernist philosopher, Ludwig Wittgenstein (1889-1951) maintained a notably unusual relationship to photography. From an early age he took a particular liking to the medium and returned to it often, as both a practitioner and a collector. The first volume to appraise his relationship to photography, this book presents his famous and only partially published photo album from the 1930s; photographs of the house for Margarete Stonborough-Wittgenstein that he designed with Paul Engelmann; the composite portrait of the Wittgenstein siblings; excerpts from Wittgenstein's various photo booth pictures and famously staged self-portraits; excerpts from his "Nonsense Collection"; his serial photographic documentations of places and people; and a selection of his picture-postcard correspondences with family and friends.

Buchkauf

Ludwig Wittgenstein. Fotografie als analytische Praxis, Verena Gamper

Sprache
Erscheinungsdatum
2021
product-detail.submit-box.info.binding
(Hardcover)
Wir benachrichtigen dich per E-Mail.

Lieferung

  • Gratis Versand ab 16,99 € in ganz Deutschland! Mehr Infos.

Zahlungsmethoden

Keiner hat bisher bewertet.Abgeben

Titel
Ludwig Wittgenstein. Fotografie als analytische Praxis
Sprache
Englisch, Deutsch
Autor*innen
Verena Gamper
Erscheinungsdatum
2021
Einband
Hardcover
Seitenzahl
304
ISBN10
3753300497
ISBN13
9783753300498
Reihe
Beschreibung
The first ever examination of Wittgenstein as collector, author and arranger of photographsMore than any other modernist philosopher, Ludwig Wittgenstein (1889-1951) maintained a notably unusual relationship to photography. From an early age he took a particular liking to the medium and returned to it often, as both a practitioner and a collector. The first volume to appraise his relationship to photography, this book presents his famous and only partially published photo album from the 1930s; photographs of the house for Margarete Stonborough-Wittgenstein that he designed with Paul Engelmann; the composite portrait of the Wittgenstein siblings; excerpts from Wittgenstein's various photo booth pictures and famously staged self-portraits; excerpts from his "Nonsense Collection"; his serial photographic documentations of places and people; and a selection of his picture-postcard correspondences with family and friends.