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"Ant Farm, the conceptual architectural practice turned art collaborative, is known for such distinctive works as House of the Century (1971-73), Cadillac Ranch (1974), and The Eternal Frame (1975). -- Of equal notoriety is Media Burn, Ant Farm's legendary 1975 performance, in which a radically customized Cadillac was driven through a wall of burning television sets. Media Burn: Ant Farm and the Making of an Image is a vibrant assessment of the complex set of cultural references and art-making strategies informing this collision of twentieth-century icons. -- Author Steve Seid (Berkeley Art Museum and Pacific Film Archive) probes the little-known critical backstory of this bold performance (and resulting video work) and its irreverent effort to mount a subversive critique of media hegemony while reimagining the core meaning of performance itself. -- Media Burn: Ant Farm and the Making of an Image examines car culture, image proliferation, and radical architectural practice, and offers a close read of Media Burn's numerous texts, speeches, ephemera, and artifacts."--Provided by publisher
Buchkauf
Media Burn: Ant Farm and the Making of an Image, Steve Seid
- Sprache
- Erscheinungsdatum
- 2020
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- (Paperback)
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- Titel
- Media Burn: Ant Farm and the Making of an Image
- Sprache
- Englisch
- Autor*innen
- Steve Seid
- Verlag
- Inventory Press LLC
- Erscheinungsdatum
- 2020
- Einband
- Paperback
- Seitenzahl
- 128
- ISBN10
- 1941753353
- ISBN13
- 9781941753354
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Hobby, Bildende Kunst
- Bewertung
- 4 von 5 Sternen
- Beschreibung
- "Ant Farm, the conceptual architectural practice turned art collaborative, is known for such distinctive works as House of the Century (1971-73), Cadillac Ranch (1974), and The Eternal Frame (1975). -- Of equal notoriety is Media Burn, Ant Farm's legendary 1975 performance, in which a radically customized Cadillac was driven through a wall of burning television sets. Media Burn: Ant Farm and the Making of an Image is a vibrant assessment of the complex set of cultural references and art-making strategies informing this collision of twentieth-century icons. -- Author Steve Seid (Berkeley Art Museum and Pacific Film Archive) probes the little-known critical backstory of this bold performance (and resulting video work) and its irreverent effort to mount a subversive critique of media hegemony while reimagining the core meaning of performance itself. -- Media Burn: Ant Farm and the Making of an Image examines car culture, image proliferation, and radical architectural practice, and offers a close read of Media Burn's numerous texts, speeches, ephemera, and artifacts."--Provided by publisher