Invisible Architecture in Nineteenth-Century Literature

Exploring the interplay of visibility and concealment in the urban landscapes of the nineteenth century, this work introduces the concept of "invisible architecture." By examining the writings of Elizabeth Gaskell, Charles Dickens, and Émile Zola alongside urban structures like cellars, railways, and department stores, the author reveals a complex relationship between different spatial forms. The analysis extends to Gothic cathedrals, arabesques, and white walls, providing a nuanced understanding of the era's uneven modernity.