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Neo Rauch

Gespenster

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  • 56 Seiten
  • 2 Lesestunden

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Neo Rauch (born 1960) is one of the most important figurative painters of his generation and a pioneer of the so-called new Leipzig school of painting. Gespenster (Ghosts) is published for Rauch's most recent solo exhibition of the same name at Galerie Eigen+Art Leipzig, in 2013. The catalogue contains the first reproductions of the 20 new paintings that were shown in the exhibition, as well as detailed views of the canvases and installation shots. Rauch's new paintings portray brooding phantasmagoric scenarios composed of several different snapshots that spatially (and sometimes narratively) overlay each other. A rusty, red-brown undertone suffuses the pictures, its muteness emphasized against intensely chromatic areas. Unlike the large-scale paintings, Rauch's smaller works are softer and more graphic, with isolated figures and deserted landscapes, like fragments from completed pictures that have become independent.

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Neo Rauch, Neo Rauch, Gerd Lybke

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Erscheinungsdatum
2013
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Untertitel
Gespenster
Autor*innen
Neo Rauch, Gerd Lybke
Erscheinungsdatum
2013
Einband
Paperback
Seitenzahl
56
ISBN10
3941601849
ISBN13
9783941601840
Reihe
Schlagwörter
Sachbücher
Bewertung
4,4 von 5 Sternen
Beschreibung
Neo Rauch (born 1960) is one of the most important figurative painters of his generation and a pioneer of the so-called new Leipzig school of painting. Gespenster (Ghosts) is published for Rauch's most recent solo exhibition of the same name at Galerie Eigen+Art Leipzig, in 2013. The catalogue contains the first reproductions of the 20 new paintings that were shown in the exhibition, as well as detailed views of the canvases and installation shots. Rauch's new paintings portray brooding phantasmagoric scenarios composed of several different snapshots that spatially (and sometimes narratively) overlay each other. A rusty, red-brown undertone suffuses the pictures, its muteness emphasized against intensely chromatic areas. Unlike the large-scale paintings, Rauch's smaller works are softer and more graphic, with isolated figures and deserted landscapes, like fragments from completed pictures that have become independent.