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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
Buchkauf
Point of View in the Cinema, Edward Branigan
- Sprache
- Erscheinungsdatum
- 1984
- product-detail.submit-box.info.binding
- (Hardcover)
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- Titel
- Point of View in the Cinema
- Sprache
- Englisch
- Autor*innen
- Edward Branigan
- Verlag
- Mouton
- Erscheinungsdatum
- 1984
- Einband
- Hardcover
- ISBN10
- 9027930791
- ISBN13
- 9789027930798
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Historisches Thema, Philosophisches Thema, Kunst, Fotografie, Filmthema
- Bewertung
- 4,35 von 5 Sternen
- Beschreibung
- Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.