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- 240 Seiten
- 9 Lesestunden
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Adam Elsheimer is first recorded in 1600 and by 1610 he was dead. But, rather like Giorgione, who had died young in Venice 100 years earlier, Elsheimer was influential on the coming century to a degree out of all proportion to his brief career and small oeuvre. He developed a wonderful mastery of light, a dramatic chiaroscuro that gave new depth to his subject-matter, and a rather less definable poetic feeling that gives a very special savor to all his painting. “What is remarkable about this volume is the number of quality reproductions of the artist's work that can be seen together for the first time. This collection of paintings demonstrates more comprehensively than ever before Elsheimer's extraordinary intuition for light and atmosphere” (Antiques Magazine).
Buchkauf
Adam Elsheimer, Ru diger Klessmann, Michael Maek-Gérard, Adam Elsheimer, Städelsches Kunstinstitut (Frankfurt am Main, Germany), National Gallery of Scotland
- Sprache
- Erscheinungsdatum
- 2006
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- Titel
- Adam Elsheimer
- Untertitel
- 1578-1610
- Sprache
- Englisch
- Autor*innen
- Ru diger Klessmann, Michael Maek-Gérard, Adam Elsheimer, Städelsches Kunstinstitut (Frankfurt am Main, Germany), National Gallery of Scotland
- Erscheinungsdatum
- 2006
- Einband
- Hardcover
- Seitenzahl
- 240
- ISBN10
- 1903470471
- ISBN13
- 9781903470473
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Bildende Kunst, Kunst, Ausstellungskataloge, Kunstgeschichte & -theorie, 17. Jahrhundert
- Bewertung
- 4 von 5 Sternen
- Beschreibung
- Adam Elsheimer is first recorded in 1600 and by 1610 he was dead. But, rather like Giorgione, who had died young in Venice 100 years earlier, Elsheimer was influential on the coming century to a degree out of all proportion to his brief career and small oeuvre. He developed a wonderful mastery of light, a dramatic chiaroscuro that gave new depth to his subject-matter, and a rather less definable poetic feeling that gives a very special savor to all his painting. “What is remarkable about this volume is the number of quality reproductions of the artist's work that can be seen together for the first time. This collection of paintings demonstrates more comprehensively than ever before Elsheimer's extraordinary intuition for light and atmosphere” (Antiques Magazine).