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The book explores the shared engagement of artists in depicting iconic figures through images from advertising, pop music, cinema, and the press. It illustrates how Pop Art revolutionized portraiture, establishing a new genre of fantasy portraits that redefined popular culture as art. This movement significantly shaped the visual landscape of the 1960s, blurring the lines between high and low culture, which was both subversive and widely appealing. By elevating portraiture, Pop Art created works that resonated with the public, focusing on individuals and their stories. Paul Moorhouse delves into the intricate relationship between British and American Pop, highlighting their connections and differences in context, character, and imagery, particularly regarding their shared fascination with Marilyn Monroe. The examination of Marilyn images underscores a central theme: how Pop portraits transformed familiar visuals into art characterized by technical skill and lasting originality. This work accompanies a major exhibition at the National Portrait Gallery in London and the Staatsgalerie in Stuttgart, showcasing the evolution and impact of Pop Art from the early 1950s to its peak in the 1960s.
Sprache
Buchkauf
Pop Art Portraits, Paul Moorhouse, Dominic Sandbrook
- Sprache
- Erscheinungsdatum
- 2007
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- Titel
- Pop Art Portraits
- Sprache
- Englisch
- Autor*innen
- Paul Moorhouse, Dominic Sandbrook
- Verlag
- Yale University Press
- Erscheinungsdatum
- 2007
- Einband
- Hardcover
- Seitenzahl
- 191
- ISBN10
- 0300135882
- ISBN13
- 9780300135886
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Kunst
- Beschreibung
- The book explores the shared engagement of artists in depicting iconic figures through images from advertising, pop music, cinema, and the press. It illustrates how Pop Art revolutionized portraiture, establishing a new genre of fantasy portraits that redefined popular culture as art. This movement significantly shaped the visual landscape of the 1960s, blurring the lines between high and low culture, which was both subversive and widely appealing. By elevating portraiture, Pop Art created works that resonated with the public, focusing on individuals and their stories. Paul Moorhouse delves into the intricate relationship between British and American Pop, highlighting their connections and differences in context, character, and imagery, particularly regarding their shared fascination with Marilyn Monroe. The examination of Marilyn images underscores a central theme: how Pop portraits transformed familiar visuals into art characterized by technical skill and lasting originality. This work accompanies a major exhibition at the National Portrait Gallery in London and the Staatsgalerie in Stuttgart, showcasing the evolution and impact of Pop Art from the early 1950s to its peak in the 1960s.