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Rosie Gilmour

Diese Serie entführt die Leser in die packende Welt einer investigativen Reporterin, die gefährliche Wahrheiten aufdeckt. Jede neue Aufgabe treibt sie an, dunkle Geheimnisse zu enthüllen, und zeigt ihren unerschütterlichen Mut und ihre Entschlossenheit. Die Erzählungen sind voller Spannung, unerwarteter Wendungen und ethischer Dilemmata, die ihre Fähigkeiten und die Natur der Gerechtigkeit auf die Probe stellen. Eine fesselnde Reise für Liebhaber von packenden Thrillern und widerstandsfähigen weiblichen Hauptfiguren.

Screams in the Dark
To Tell the Truth
To Tell the Truth

Empfohlene Lesereihenfolge

  1. To Tell the Truth

    • 385 Seiten
    • 14 Lesestunden

    A three-year-old girl is snatched from a Spanish beach while on holiday with her parents. Nobody heard a sound. Nobody saw a thing. Or so they claim. Rosie Gilmour is enjoying a well-deserved holiday on the Costa del Sol: one that is cut short when the abduction story breaks and she's sent to cover it. Rosie's instincts tell her something's wrong. Such a crime, committed in broad daylight, must surely have its witnesses? The girl's mother's story, what's more, doesn't add up. When Rosie is approached by an illegal sex worker with information about the abduction, her instincts are confirmed. Key information about the crime is being withheld from the authorities. The reason: corrupt politicians and vicious human trafficking gangs - enemies one would think twice about making. But thinking twice is not in Rosie's DNA, especially when a child's life is at stake. As she closes in on the truth, Rosie realises the penalty for missing this particular deadline could be her own death.

    To Tell the Truth2
    4,4
  2. Screams in the Dark

    • 340 Seiten
    • 12 Lesestunden

    Refugees are disappearing in Glasgow. The mutilated body of one has been found, but the police aren't interested. Can crime reporter Rosie Gilmour uncover the truth before the killer comes for her? Steeped in its own problems, Glasgow's mushrooming underclass is simmering with resentment and the sudden flow of Kosovan refugess into the city; and one by one, refugees are disappearing. The authorities assume the refugees have vanished into the black economy, until the mutilated body of an Albanian man is fished out of the River Clyde. Asylum seekers and refugees with no roots and no families are easy pickings. But why is there no urgency from the authorities to find out what's happening? Rosie Gilmour's instincts tell her there's more to this story, but after six weeks on the frontlines in Kosovo, is her sympathy for the refugees clouding her judgement?

    Screams in the Dark3
    4,4