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William Hogarth

    10. November 1697 – 26. Oktober 1764

    William Hogarth war ein englischer Maler, Grafiker und Satiriker. Er ist bekannt für seine Kupferstiche, die die Moral und Sitten seiner Zeit kritisierten. Seine Werke, oft in Form von comicartigen Bilderserien, zeigten realistische Porträts neben satirischen Beobachtungen. Hogarth gilt als Pionier der westlichen sequenziellen Kunst.

    Anecdotes of William Hogarth
    The Drawings of William Hogarth
    William Hogarth
    Marriage a-la-mode - Hogarth und seine deutschen Bewunderer
    Klassische Aphorismen
    William Hogarth's Zeichnungen. Nach den Originalen in Stahl gestochen
    • This book contains 101 of Hogarth's finest and most important engravings, including all the major series or "progresses": "The South Sea Scheme," A Harlot's Progress , "A Midnight Modern Conversation," A Rake's Progress , Before and After , Marriage à la Mode , Industry and Idleness , "The March to Finchley," The Four Stages of Cruelty , "Time Smoking a Picture," "Tailpiece," and many more, including ten study sketches and paintings that show how the final works evolved.Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

      Engravings by Hogarth
    • This book contains 101 of Hogarth's finest and most important engravings, including all the major series or "progresses": "The South Sea Scheme," A Harlot's Progress , "A Midnight Modern Conversation," A Rake's Progress , Before and After , Marriage à la Mode , Industry and Idleness , "The March to Finchley," The Four Stages of Cruelty , "Time Smoking a Picture," "Tailpiece," and many more, including ten study sketches and paintings that show how the final works evolved.Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

      Engravings
    • The Analysis Of Beauty

      Written With A View Of Fixing The Fluctuating Ideas Of Taste

      • 144 Seiten
      • 6 Lesestunden
      2,7(3)Abgeben

      Exploring the concept of beauty, this work delves into the principles of aesthetics and the nature of taste. The author seeks to establish a stable understanding of beauty, addressing the subjective nature of artistic appreciation. Through detailed analysis, the book examines various forms of art and their impact on human perception, aiming to reconcile differing views on beauty and provide a framework for evaluating artistic merit. The text serves as both a philosophical inquiry and a guide for discerning taste in art and design.

      The Analysis Of Beauty
    • Hogarth

      • 352 Seiten
      • 13 Lesestunden
      3,7(15)Abgeben

      William Hogarth (1697-1764) is certainly one of the most versatile, innovative and celebrated of all British artists. He lived at a time when Britain was emerging as an increasingly urbanized, commercialized and aggressively imperial power. Like many other artists, he exploited and benefited from these changes in British society. Among his contemporaries, it was Hogarth who commented most brilliantly on society - both positively and negatively. His work celebrates the benefits of commerce, politeness and patriotism while simultaneously focusing on the corruption, hypocrisy and prejudice they brought in their wake. In paint and in print we are shown the two contrasting sides of modernity. This book explores and explains the dramatic duality within Hogarth's work, and in doing so gives us a greater sense of the contradictions and complexities that existed within eighteenth-century British society.

      Hogarth