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The Rotters' Club

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At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's The Rotters' Club is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation. The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. --Sean Thomas, Amazon.co.uk

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The Rotters' Club, Jonathan Coe

Sprache
Erscheinungsdatum
2001
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(Paperback)
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Sprache
Englisch
Autor*innen
Jonathan Coe
Erscheinungsdatum
2001
Einband
Paperback
Seitenzahl
352
ISBN10
0141039159
ISBN13
9780141039152
Erstveröffentlichung
2001
Originaltitel
The Rotters' Club
Bewertung
4 von 5 Sternen
Beschreibung
At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's The Rotters' Club is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation. The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. --Sean Thomas, Amazon.co.uk