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The Insulted & Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives & their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event. In this story the impulse toward self-abnegation in love, which appears so markedly in both Vanya & Natasha, isn't itself enough to direct their lives; instead, it combines with their social world & the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha-the person least driven to mold life to his own terms-emerges untouched. Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-&-blood people as we see them around every day. They are made up of both good & evil, of will & acceptance. Unfailingly they command interest & illuminate understanding.
Buchkauf
Униженные и оскорбленные, Fyodor Dostoyevsky, Michail M. Dostoevskij
- Sprache
- Erscheinungsdatum
- 1998
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- (Paperback)
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- Sprache
- Russisch
- Autor*innen
- Fyodor Dostoyevsky, Michail M. Dostoevskij
- Verlag
- АСТ
- Erscheinungsdatum
- 1998
- Einband
- Paperback
- Seitenzahl
- 635
- ISBN10
- 5237004830
- ISBN13
- 9785237004830
- Reihe
- Schlagwörter
- Belletristik, Historische Romane, Klassiker, 19. Jahrhundert, Russland, Russische Literatur, Armut, Reichtum, Klassizismus, Pink October
- Erstveröffentlichung
- 1861
- Originaltitel
- Униженные и оскорблённые (Unižennyje i oskorbljonnyje)
- Bewertung
- 4,25 von 5 Sternen
- Beschreibung
- The Insulted & Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives & their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event. In this story the impulse toward self-abnegation in love, which appears so markedly in both Vanya & Natasha, isn't itself enough to direct their lives; instead, it combines with their social world & the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha-the person least driven to mold life to his own terms-emerges untouched. Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-&-blood people as we see them around every day. They are made up of both good & evil, of will & acceptance. Unfailingly they command interest & illuminate understanding.