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Dead Air

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  • 496 Seiten
  • 18 Lesestunden

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Iain Banks' daring new novel opens in a loft apartment in the East End, in a former factory due to be knocked down in a few days. Ken Nott is a devoutly contrarian, vaguely left-wing radio shock-jock living in London. After a wedding breakfast people start dropping fruits from a balcony on to a deserted carpark ten storeys below, then they start dropping other things; an old TV that doesn't work, a blown loudspeaker, beanbags, other unwanted furniture...Then they get carried away and start dropping things that are still working, while wrecking the rest of the apartment. But mobile phones start ringing and they're told to turn on a TV, because a plane has just crashed into the World Trade Centre... At ease with the volatility of modernity, Iain Banks is also our most accomplished literary writer of narrative-driven adventure stories that never ignore the injustices and moral conundrums of the real world. His new novel displays his trademark dark wit, buoyancy and momentum, and was one of the most important novels of 2002.

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Dead Air, Iain Banks

Sprache
Erscheinungsdatum
2003
Einband
(Paperback)
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Titel
Dead Air
Sprache
Englisch
Autor*innen
Iain Banks
Verlag
Abacus
Erscheinungsdatum
2003
Einband
Paperback
Seitenzahl
496
ISBN10
0349116288
ISBN13
9780349116280
Reihe
Beschreibung
Iain Banks' daring new novel opens in a loft apartment in the East End, in a former factory due to be knocked down in a few days. Ken Nott is a devoutly contrarian, vaguely left-wing radio shock-jock living in London. After a wedding breakfast people start dropping fruits from a balcony on to a deserted carpark ten storeys below, then they start dropping other things; an old TV that doesn't work, a blown loudspeaker, beanbags, other unwanted furniture...Then they get carried away and start dropping things that are still working, while wrecking the rest of the apartment. But mobile phones start ringing and they're told to turn on a TV, because a plane has just crashed into the World Trade Centre... At ease with the volatility of modernity, Iain Banks is also our most accomplished literary writer of narrative-driven adventure stories that never ignore the injustices and moral conundrums of the real world. His new novel displays his trademark dark wit, buoyancy and momentum, and was one of the most important novels of 2002.