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Thirteen Ways of Looking

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  • 257 Seiten
  • 9 Lesestunden

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From the National Book Award-winning and New York Times bestselling author of <i>Let the Great World Spin</i> and <i>TransAtlantic</i>, comes a novella and three stories of immediate power and grace It is a cold day in January when J. Mendelssohn wakes in his Upper East Side apartment. Old and frail, he is entirely reliant on the help of his paid carer, and as he waits for the heating to come on, the clacking of the pipes stirs memories of the past; of his childhood in Lithuania and Dublin, of his distinguished career as a judge, and of his late wife, Eileen. Later he leaves the house to meet his son Elliot for lunch, and when Eliot departs mid-meal, Mendelssohn continues eating alone as the snow falls heavily outside. Moments after he leaves the restaurant he is brutally attacked. The detectives working on the case search through the footage of Mendelssohn’s movements, captured by cameras in his home and on the street. Their work is like that of a poet: the search for a random word that, included at the right instance, will suddenly make sense of everything. Told from a multitude of perspectives, in lyrical, hypnotic prose, <i>Thirteen Ways of Looking</i> is a ground-breaking novella of true resonance. Accompanied by three equally powerful stories set in Afghanistan, Galway and London, this is a tribute to humanity’s search for meaning and grace, from a writer at the height of his form, capable of imagining immensities even in the smallest corners of our lives.

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Thirteen Ways of Looking, Colum McCann

Sprache
Erscheinungsdatum
2015
Einband
(Hardcover)
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Titel
Thirteen Ways of Looking
Sprache
Englisch
Autor*innen
Colum McCann
Erscheinungsdatum
2015
Einband
Hardcover
Seitenzahl
257
ISBN10
1408869837
ISBN13
9781408869833
Reihe
Beschreibung
From the National Book Award-winning and New York Times bestselling author of <i>Let the Great World Spin</i> and <i>TransAtlantic</i>, comes a novella and three stories of immediate power and grace It is a cold day in January when J. Mendelssohn wakes in his Upper East Side apartment. Old and frail, he is entirely reliant on the help of his paid carer, and as he waits for the heating to come on, the clacking of the pipes stirs memories of the past; of his childhood in Lithuania and Dublin, of his distinguished career as a judge, and of his late wife, Eileen. Later he leaves the house to meet his son Elliot for lunch, and when Eliot departs mid-meal, Mendelssohn continues eating alone as the snow falls heavily outside. Moments after he leaves the restaurant he is brutally attacked. The detectives working on the case search through the footage of Mendelssohn’s movements, captured by cameras in his home and on the street. Their work is like that of a poet: the search for a random word that, included at the right instance, will suddenly make sense of everything. Told from a multitude of perspectives, in lyrical, hypnotic prose, <i>Thirteen Ways of Looking</i> is a ground-breaking novella of true resonance. Accompanied by three equally powerful stories set in Afghanistan, Galway and London, this is a tribute to humanity’s search for meaning and grace, from a writer at the height of his form, capable of imagining immensities even in the smallest corners of our lives.